Series 01
Paintings on CNC-routed wood panels, each housing an inexpensive obsolete consumer device sourced from thrift stores (alarm clocks, blood pressure monitors, stereos, tape recorders, defibrillators). Figures drawn from real or imagined Renaissance and Baroque sources inhabit panels that are physically interrupted by these devices, which protrude from the surface and disrupt the picture plane in both two and three dimensions.
Series 02
Large-scale multimedia works combining oil painting with found media objects, electronic equipment, video, and sound. Drawing on the tradition of the Rauschenberg Combine — the merging of painting with everyday life — these works throw into relief the contradictions between consumer material culture and art history.
Series 03
A short series whose source imagery originated with Stable Diffusion, an early generative image model prompted to produce Caravaggio-style paintings. At the time, these models hallucinated extra limbs, impossibly twisted figures, low-resolution glitches. I faithfully copied even the model's failures, then redacted the least successful areas with spray paint and abstract gestures. The resulting works are a record of a particular moment of technological becoming: machine error treated not as aberration, but as creative material.
Other Works
Installations, paintings on found objects, collaborations, and site-specific commissions that don't fall as squarely into the other categories that have emerged. These works include early installations and works made in dialogue with specific spaces, collections, or contexts.