Friday night I celebrated the opening of a group exhibition, Momento/Memento at REVERSE space, a gallery in Brooklyn, New York. I showed digital paintings, and friends Jacob Lynn, Christy Wittmer, and Corrina Mehiel showed fiber works, sculptures, and photographs, respectively.
We had a nice little write up in Artfcity.com, calling the exhibition a must see event and describing my photos as possessing an “Alzheimer’s-like strangeness”
This was my first show in New York and I am happy to have shown alongside good friends from Cincinnati. Here’s an excerpt from the exhibition description:
OPENING FRIDAY, JUNE 19TH, 7 – 9PM, REVERSE will present, for the first time in New York, four Cincinnati-based artists working on the objectification of time and memory.
Consciousness is endlessly grasping for objects as moment boxes. Yet there is an important etymological distinction between our contemporary understanding of memento (commonly misspelled momento)—a French souvenir, which can take the form of anything from a cheap snow globe to an interesting rock—and memento mori, which symbolized the medieval practice of reflecting on mortality and the transient nature of the universe. It is in the gap between these two definitions of the same term that the exhibition MOMENTO / MEMENTO operates, as Joe Hedges, Jacob Lynn, Corrina Mehiel, and Christy Wittmer work to acknowledge an objectified attachment to moments in time.
Read the entire description here: http://reversespace.org/momento-memento/