i am sitting in a holding pen on a runway on lyon, france. i flew on the low cost express airline easyjet across the english channel from london. easy jet is not at all an easy way to travel although it is a jet, as far as i can tell. you can only bring up to 20 kilograms of luggage, it can cost over 100 euros to check bags, and they make you wait in line after line in the airport of departure and now on the runway where i have arrived. i’m in a white tent with other passengers; it is as if we have some disease and have been quarantined. i have never waited so long on a runway just to enter an airport and i’m now realizing the wait must be because of customs and i guess they are actually worried that we might have a disease. but i do not.

*** update the airports or airlines have lost my acoustic guitar. i was forced to check my guitar and it has not arrived from london to lyon. we shall see how this shakes out. but the day is a beautiful day and the sky is a perfect blue to white gradient, a vast improvement from dreary london.

i try not to stereotype. one stereotype i had hoped to disprove is that the british do not have good food. in every place i have visited i have made an effort to try the local cuisine and england is no exception.

on the front cover of the menu at wetherspoon pub, a successful chain of pubs perhaps equivalent to applebees in the states, was a beautiful photo of a dish called a Ploughman, which includes a Melton Mowbray pork pie, a special kind of pork pie which comes from a specific region of england. the picture on the menu is the classic restaurant food picture: the light is perfect and the depth of field is very narrow allowing the focus to be on the pie while the side dishes have a bit of atmospheric blur as if all the components are in some kind of dreamy food heaven beckoning you to taste. i was confident that the featured entree at one of the most popular restaurants in england would be delicious.

when it arrived it was cold, which is the traditional way to serve it. okay. but it tasted slightly like sausage, except with almost no flavor. i thought maybe sausages were just flavorful by nature, as they are in germany or the usa, but i guess there is a way to make pork into sausage while making sure no flavor accidentally sneaks in. maybe they have a strainer which removes the flavor. between the cold pork substance and the cold crust there was a layer of what appeared to be some kind of industrial window caulk or perhaps animal fat that had congealed into a hard murky gelatin. in short, weatherspoon’s Ploughman was one of the worst entrees i have encountered in europe. but i ate almost all of it because i was hungry and i slightly enjoyed the humor in it, knowing it would at least make a good bad food story later.

having little luck with restaurant food i turned my search to grocery store cookies and candy. one of the most popular cookies here in england are “digestives”. the label says “Digestives” in white lettering against a bright red background and underneath “Dark Chocolate”. “Digestives” has got to be the worst name for a cookie i have ever heard. for me, and i don’t think i am alone here, digestion is what happens after i eat. before i eat, i don’t need to think about digestion. if you’re going to call your product digestives why not take it a step further and call them “poopers” or maybe “excramentives”? i guess it’s hard to know where to draw the line, but where i draw it is with chewing or before. charleston chew–acceptable. charlston esophogus slider…eh, on the cusp.

i did have one delicious plate of fish and chips, naturally. but i think it is safe to say that england is not known for it’s cuisine.

however, none of this is or was the fault of my kind british companions tom and joe, two brothers from Bushey, just outside london. tom and joe cannot singlehandedly affect the food taste crisis their country seems to be undergoing, but they were kind enough to put me up at their place and show me around. tom introduced me to “revels”, my new favorite candy. they are like american whoppers, milk duds, raisinettes, chocolate orange, and one other thing that i cannot remember all in the same package. and it is a surprise which flavor you will get! so for someone like me who enjoys surprise and adventure, it is a wonderful mini taste odyssey that is predictable enough to be pleasing but unpredictable enough to be exciting, the same way a great pop song works. after talking for two days, tom suggested that i buy some revels for my band mates john and dan. my bassist brian ives, however, gets the more consistent tasting “Maltesers” because of his occasional aversion to fun.

we spent one evening with tom’s parents and found that we had a great deal in common. for my sake tom’s father did some independent research focused on Bushey’s rich art history which included Von Herkemmer, a german immigrant who was a painter and filmmaker and founder of an important art school in Bushey, and Lucy Kemp-Welch, the illustrator of the original edition of the classic equine book, “Black Beauty”. the next day at the very small Bushey museum, i saw several enormous canvases of masterfully painted horses, and one smaller quick painting by Lucy Kemp-Welch of a horse and horse owner near the Santa Trinita, a bridge in florence italy where i studied art last month. my eyes saw the painting but i did not feel it until my heart recognized it as florence and a bolt of something came through me, one part longing for florence and one part appreciation. the painting is actually just a sketch for a larger work, and although the sketch is lonely and nearly forgotten in a dusty corner of a small town museum it is masterfully executed in a fresh, quick style, which i prefer to her larger canvases which occasionally feel belabored. but me as an american looking at the little painting of florence italy executed by an english artist who was trained by a german i felt a connection with all these different places i have been and times i have studied and the entire history of creatively minded artists and adventurers and in this moment i knew for certain that i was on the right path.

that night i played an acoustic show at the Dublin castle, a famous bar in london which hosted acts such as Madness, Travis, and Blur as they were getting off the ground. i played one of my better acoustic sets in a while, complete with one-night-only trumpet and trombone accompaniment from tom and joe, respectively, for the song “mitral valve prolapse”. tom and joe are both extremely talented university trained brass musicians. unfortunately, i started the song a half step too low but i just went with it and forgot to let tom and joe know. joe is one of the rare human beings with perfect pitch and knew immediately my mistake while tom, who like me does not hear pitch as well as a robot, was left to struggle through the first chorus until it became clear to him what i had done. but by the second chorus everything came together in a triumphant brassy rendition that was truly special.

i am here in lyon, france for three days.